forked from hasufell/hasufell-repository
games-rpg/freedink: initial import of version 108.4
This commit is contained in:
Julian Ospald
parent
f38a6edeba
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fac2a878f7
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Free Art License
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||||
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||||
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[ Copyleft Attitude ]
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version 1.2
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|
||||
Preamble :
|
||||
|
||||
With this Free Art License, you are authorised to copy, distribute and freely
|
||||
transform the work of art while respecting the rights of the originator.
|
||||
|
||||
Far from ignoring the author's rights, this license recognises them and
|
||||
protects them. It reformulates their principle while making it possible for the
|
||||
public to make creative use of the works of art. Whereas current literary and
|
||||
artistic property rights result in restriction of the public's access to works
|
||||
of art, the goal of the Free Art License is to encourage such access.
|
||||
|
||||
The intention is to make work accessible and to authorise the use of its
|
||||
resources by the greatest number of people: to use it in order to increase its
|
||||
use, to create new conditions for creation in order to multiply the
|
||||
possibilities of creation, while respecting the originators in according them
|
||||
recognition and defending their moral rights.
|
||||
|
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In fact, with the arrival of the digital age, the invention of the Internet and
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free software, a new approach to creation and production has made its
|
||||
appearance. It also encourages a continuation of the process of experimentation
|
||||
undertaken by many contemporary artists.
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||||
|
||||
Knowledge and creativity are resources which, to be true to themselves, must
|
||||
remain free, i.e. remain a fundamental search which is not directly related to
|
||||
a concrete application. Creating means discovering the unknown, means inventing
|
||||
a reality without any heed to realism. Thus, the object(ive) of art is not
|
||||
equivalent to the finished and defined art object. This is the basic aim of
|
||||
this Free Art License: to promote and protect artistic practice freed from the
|
||||
rules of the market economy.
|
||||
|
||||
——– DEFINITIONS
|
||||
|
||||
- The work of art : A communal work which includes the initial artwork as well
|
||||
as all subsequent contributions (subsequent originals and copies). It is
|
||||
created at the initiative of the original artist who, by this license, defines
|
||||
the conditions according to which the contributions are made.
|
||||
|
||||
- The original work of art : This is the artwork created by the initiator of
|
||||
the communal work, of which copies will be modified by whosoever wishes.
|
||||
|
||||
- Subsequent works : These are the additions put forward by the artists who
|
||||
contribute to the formation of the work by taking advantage of the right to
|
||||
reproduction, distribution and modification that this license confers on them.
|
||||
|
||||
- The Original (the work's source or resource) : A dated example of the work,
|
||||
of its definition, of its partition or of its program which the originator
|
||||
provides as the reference for all future updatings, interpretations, copies or
|
||||
reproductions.
|
||||
|
||||
- Copy : Any reproduction of an original as defined by this license.
|
||||
|
||||
- The author or the artist of the original work of art: This is the person who
|
||||
created the work which is at the heart of the ramifications of this modified
|
||||
work of art. By this license, the author determines the conditions under which
|
||||
these modifications are made.
|
||||
|
||||
- Contributor: Any person who contributes to the creation of the work of art.
|
||||
He is the author or the artist of an original art object resulting from the
|
||||
modification of a copy of the initial artwork or the modification of a copy of
|
||||
a subsequent work of art.
|
||||
|
||||
——–
|
||||
|
||||
1. AIMS
|
||||
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||||
The aim of this license is to define the conditions according to which you can
|
||||
use this work freely.
|
||||
|
||||
2. EXTENT OF THE USAGE
|
||||
|
||||
This work of art is subject to copyright, and the author, by this license,
|
||||
specifies the extent to which you can copy, distribute and modify it.
|
||||
|
||||
2.1 FREEDOM TO COPY (OR OF REPRODUCTION)
|
||||
|
||||
You have the right to copy this work of art for your personal use, for your
|
||||
friends or for any other person, by employing whatever technique you choose.
|
||||
|
||||
2.2 FREEDOM TO DISTRIBUTE, TO INTERPRET (OR OF REPRESENTATION)
|
||||
|
||||
You can freely distribute the copies of these works, modified or not, whatever
|
||||
their medium, wherever you wish, for a fee or for free, if you observe all the
|
||||
following conditions:
|
||||
- attach this license, in its entirety, to the copies or indicate precisely
|
||||
where the license can be found,
|
||||
- specify to the recipient the name of the author of the originals,
|
||||
- specify to the recipient where he will be able to access the originals
|
||||
(original and subsequent). The author of the original may, if he wishes, give
|
||||
you the right to broadcast/distribute the original under the same conditions as
|
||||
the copies.
|
||||
|
||||
2.3 FREEDOM TO MODIFY
|
||||
|
||||
You have the right to modify the copies of the originals (original and
|
||||
subsequent), partially or otherwise, respecting the conditions set out in
|
||||
article 2.2 , in the event of distribution (or representation) of the modified
|
||||
copy. The author of the original may, if he wishes, give you the right to
|
||||
modify the original under the same conditions as the copies.
|
||||
|
||||
3. INCORPORATION OF ARTWORK
|
||||
|
||||
All the elements of this work of art must remain free, which is why you are not
|
||||
allowed to integrate the originals (originals and subsequents) into another
|
||||
work which would not be subject to this license.
|
||||
|
||||
4. YOUR AUTHOR'S RIGHTS
|
||||
|
||||
The object of this license is not to deny your author's rights on your
|
||||
contribution. By choosing to contribute to the evolution of this work of art,
|
||||
you only agree to give to others the same rights with regard to your
|
||||
contribution as those which were granted to you by this license.
|
||||
|
||||
5. DURATION OF THE LICENCE
|
||||
|
||||
This license takes effect as of your acceptance of its provisions. The fact of
|
||||
copying, distributing, or of modifying the work constitutes a tacit agreement.
|
||||
This license will remain in force for as long as the copyright which is
|
||||
attached to the work of art. If you do not respect the terms of this license,
|
||||
you automatically lose the rights that it confers. If the legal status to which
|
||||
you are subject makes it impossible for you to respect the terms of this
|
||||
license, you may not make use of the rights which it confers.
|
||||
|
||||
6. VARIOUS VERSIONS OF THE LICENCE
|
||||
|
||||
This license may undergo periodic modifications to incorporate improvements by
|
||||
its authors (instigators of the "copyleft attitude" movement) by way of new,
|
||||
numbered versions.
|
||||
|
||||
You will have the choice of accepting the provisions contained in the version
|
||||
under which the copy was communicated to you, or alternatively, to use the
|
||||
provisions of one of the subsequent versions.
|
||||
|
||||
7. SUB-LICENSING
|
||||
|
||||
Sub-licenses are not authorized by the present license. Any person who wishes
|
||||
to make use of the rights that it confers will be directly bound to the author
|
||||
of the original work.
|
||||
|
||||
8. THE LAW APPLICABLE TO THIS CONTRACT
|
||||
|
||||
This license is subject to French law.
|
||||
|
||||
——–
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||||
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||||
DIRECTIONS FOR USE :
|
||||
|
||||
- How to use the Free Art license?
|
||||
|
||||
To benefit from the Free Art License, it is enough to specify the following on
|
||||
your work of art:
|
||||
|
||||
[- A few lines to indicate the name of the work and to give an idea of what it
|
||||
is.] [- A few lines to describe, if necessary, the modified work of art and
|
||||
give the name of the author/artist.] Copyright © [the date] [name of the author
|
||||
or artist] (if appropriate, specify the names of the previous authors or
|
||||
artists) Copyleft: this work of art is free, you can redistribute it and/or
|
||||
modify it according to terms of the Free Art license. You will find a specimen
|
||||
of this license on the site Copyleft Attitude http://artlibre.org as well as on
|
||||
other sites.
|
||||
|
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- Why use the Free Art license?
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||||
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1 / to give the greatest number of people access to your work.
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||||
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2 / to allow it to be freely distributed.
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3 / to allow it to evolve by authorising its transformation by others.
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4 / to be able, yourself, to use the resources of a work when it is under Free
|
||||
Art license: to copy, distribute or transform it freely.
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||||
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||||
5 / This is not all: because the use of the Free Art License is also a good way
|
||||
to take liberties with the marketing system generated by the dominant economy.
|
||||
The Free Art License offers a useful legal protocol to prevent abusive
|
||||
appropriation. It will no longer be possible for someone to appropriate your
|
||||
work, short-circuiting the creative process to make personal profit from it.
|
||||
Helping yourself to a collective work in progress will be forbidden, as will
|
||||
monopolising the resources of an evolving creation for the benefit of a few.
|
||||
|
||||
The Free Art License advocates an economy appropriate for art, based on
|
||||
sharing, exchange and joyful giving. What counts in art is also and mostly what
|
||||
is not counted.
|
||||
|
||||
- When to use the Free Art License ?
|
||||
|
||||
It is not the goal of the Free Art License to eliminate copyright or author's
|
||||
rights. Quite the opposite, it is about reformulating the relevance of these
|
||||
rights while taking today's environment into account. It is about the right to
|
||||
freedom of movement, to free copying and to free transformation of works of
|
||||
art. The right to work in freedom for art and artists.
|
||||
|
||||
1 / Each time you want to use or put this right into practice, use the Free Art
|
||||
License.
|
||||
|
||||
2 / Each time you want to create works which can evolve and be freely copied,
|
||||
freely distributed and freely transformed: use the Free Art License.
|
||||
|
||||
3 / Each time you want to have the possibility of copying, distributing or
|
||||
transforming a work: check that it is under Free Art License. If it is not, you
|
||||
are liable to be breaking the law.
|
||||
|
||||
- To which types of art can the Free Art License be applied?
|
||||
|
||||
This license can be applied to digital as well as to non-digital art. It was
|
||||
born out of observation of the world of free software and the Internet, but its
|
||||
applicability is not limited to the digital media. You can put a painting, a
|
||||
novel, a sculpture, a drawing, a piece of music, a poem, an installation, a
|
||||
video, a film, a recipe, a CD-rom, a Web site, or a performance under the Free
|
||||
Art License, in short any creation which has some claim to be a work of art.
|
||||
|
||||
This license has a history: it was born at the meeting " Copyleft Attitude "
|
||||
which took place at "Accès Local" and "Public" in Paris at the beginning of the
|
||||
year 2000. For the first time, it brought computer specialists and freeware
|
||||
activists together with contemporary artists and members of the art world.
|
||||
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@ -0,0 +1,206 @@
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|||
EFF Open Audio License:
|
||||
|
||||
Version 1.0.1
|
||||
|
||||
Changes from ver. 1.0[.0]: Typo corrections; no substantive changes.
|
||||
1. I. Preamble
|
||||
2. II. Terms of Use
|
||||
3. III. How to Use this License
|
||||
|
||||
I. PREAMBLE
|
||||
|
||||
PRINCIPLES
|
||||
|
||||
Digital technology and the Internet can eMPOWER ARTISTS TO REACH A
|
||||
WORldwide audience and to build upon each other's ideas and imagination
|
||||
with extremely low production and distribution costs. Many software
|
||||
developers, through both the open source software initiative and the
|
||||
free software movement, have long taken advantage of these facts to
|
||||
create a vibrant community of shared software that benefits creators and
|
||||
the public.
|
||||
|
||||
EFF's Open Audio License provides a legal tool that borrows from both
|
||||
movements providing freedom and openness to use music and other
|
||||
expressive works in new ways. It allows artists to grant the public
|
||||
permission to copy, distribute, adapt, and publicly perform their works
|
||||
royalty-free as long as credit is given to the creator as the Original
|
||||
Author.
|
||||
|
||||
As in the software communities, this license is intended to help foster
|
||||
a community of creators and performers who are free to share and build
|
||||
on each others' work. This also frees their audience to share works that
|
||||
they enjoy with others, all for the purpose of creating a rich and
|
||||
vibrant public commons.
|
||||
|
||||
More specifically, this license is designed to serve as a tool of
|
||||
freedom for artists who wish to reach one another and new fans with
|
||||
their original works. It allows musicians to collaborate in creating a
|
||||
pool of "open audio" that can be freely modified, exchanged, and
|
||||
utilized in new ways. Artists can use this license to promote themselves
|
||||
and take advantage of the new possibilities for empowerment and
|
||||
independence that technology provides. It also allows the public to
|
||||
experience new music, and connect directly with artists, as well as
|
||||
enable "super distribution" where the public is encouraged to copy and
|
||||
distribute a work, adding value to the artist's reputation while
|
||||
experiencing a world of new music never before available.
|
||||
|
||||
Why is the EFF advocating a license?
|
||||
|
||||
Because, despite the fact that we are uneasy with the licensing, as
|
||||
opposed to sale, of both music and software, we see this particular
|
||||
license as a tool of freedom. Our goal is to use the tools of copyright
|
||||
to free artists and audiences from the portion of current copyright law
|
||||
that seems, to us, to be getting in the way of copyright's original
|
||||
purpose -- the creation of a vibrant public commons of music that we all
|
||||
can enjoy and that artists can build upon. As part of it, we hope to
|
||||
demonstrate some of what we believe should be the best practices in
|
||||
licenses, including respect for the rights and limitations of copyright
|
||||
law including fair use, first sale rights, as well as consumer
|
||||
protection laws and of course freedom of speech. The aim of this license
|
||||
is to use copyright tools to achieve copyright's stated objectives of
|
||||
spreading knowledge and culture while preserving incentives for the
|
||||
author.
|
||||
|
||||
For legal purposes, this document is the official license under which
|
||||
Open Audio is made available for public use. The original version of
|
||||
this document may be found at:
|
||||
http://www.eff.org/IP/Open_licenses/eff_oal.html
|
||||
|
||||
Specific terms and conditions for accessing, copying, distribution,
|
||||
adaptation, public performance, and attribution follow.
|
||||
|
||||
II. TERMS AND CONDITIONS FOR USE:
|
||||
|
||||
Access, Copying, Distribution, Public Performance, Adaptation, and Attribution
|
||||
|
||||
This license applies to any work offered by the Original Author(s) with
|
||||
a notice indicating that it is released under the terms of the EFF Open
|
||||
Audio License, "(O)". If used in conjunction with a sound recording
|
||||
(whether in digital or analog form), this license encompasses the
|
||||
copyright in both the sound recording (the "master" rights) and the
|
||||
underlying musical composition (the "songwriter" rights).
|
||||
|
||||
The Original Author retains the copyrights to works released under this
|
||||
license, but grants the worldwide public permission to use the work in
|
||||
the ways authorized herein. Activities other than those specifically
|
||||
addressed below are outside the scope of this license.
|
||||
|
||||
1. Access, Reproduction, Distribution, Modification, and
|
||||
Performance Rights. Subject to the terms and conditions of this
|
||||
license, the Original Author irrevocably and perpetually grants to
|
||||
the public authorization to freely access, copy, distribute, modify,
|
||||
create derivative works from, and publicly perform the work released
|
||||
under this license in any medium or format, provided that Original
|
||||
Author attribution be included with any copies distributed or public
|
||||
performances of the work, as well as any derivative works based on
|
||||
the work, as further described below.
|
||||
|
||||
2. Original Author Attribution Requirement. Original Author
|
||||
attribution is generally defined as a method in the regular course
|
||||
of dealing that reasonably conveys to the recipient of a copy or
|
||||
performance the following information: (1) The notice "(O)" that
|
||||
indicates the work is released under the EFF Open Audio license; (2)
|
||||
the identity of the Original Author; (3) the title of the work (at
|
||||
Original Author's option); and (4) how the first listed Original
|
||||
Author may be contacted (at Original Author's option).
|
||||
|
||||
Where a common, widely-adopted method for attribution is available
|
||||
(such as ID3 tagging for MP3 files), Original Author attribution
|
||||
should be implemented using the common, widely-adopted method. In
|
||||
other circumstances, Original Author attribution may be implemented
|
||||
in any reasonable fashion, such as by including attribution in the
|
||||
public performance, or affixing it to the physical media, or
|
||||
embedding it in the digital file. See the Suggested Guidelines for
|
||||
general attribution requirements for giving proper credit to the
|
||||
work's Original Author in differing circumstances.
|
||||
|
||||
3. Agree Not to Limit Others' Use. Any new work that in whole or in
|
||||
part contains or is derived from a work (or part thereof) made
|
||||
available under this license, must itself be licensed as a whole
|
||||
under the terms of this license.
|
||||
|
||||
Notwithstanding the foregoing, mere aggregation on a volume of a
|
||||
storage or distribution medium of an independently created work with
|
||||
one that is made available under this license does not bring the
|
||||
other work under the scope of this license. It is not the intent of
|
||||
this section to contest the rights of others in works created
|
||||
entirely by them; rather, the intent is to exercise the right to
|
||||
control the distribution of derivative or collective works based
|
||||
upon a work subject to this license.
|
||||
|
||||
4. Acceptance of Terms. Because you have not signed this license,
|
||||
you cannot be required to accept it. But nothing besides this
|
||||
license grants you authorization to copy, distribute, adapt, or
|
||||
publicly perform royalty-free the copyrighted works released under
|
||||
it. These activities are prohibited by law without a license or
|
||||
other contractual right granted by the copyright owner. By
|
||||
exercising one of the rights granted herein you indicate your
|
||||
acceptance of this license and agree to be bound by all its terms
|
||||
and conditions.
|
||||
|
||||
5. License Version. This license is Version 1.0. New versions of
|
||||
this license will be published from time to time at:
|
||||
http://www.eff.org/IP/Open_licenses/eff_oal.html
|
||||
|
||||
Anyone who releases a work under the license without specifying a
|
||||
version number allows the recipient to use the work subject to the
|
||||
then-current version of this license.
|
||||
|
||||
6. Civil Liberties Unrestricted. Nothing in this license is
|
||||
intended to reduce, limit, or restrict any fair use, the first sale
|
||||
doctrine, or the public side of the copyright bargain under
|
||||
copyright law, or to in any other way limit any rights bestowed
|
||||
under consumer protection or other applicable laws.
|
||||
|
||||
7. Warranty. By offering an original work for public release under
|
||||
this license, the Original Author warrants that (i) s/he has the
|
||||
power and authority to grant the rights conveyed herein, and (ii)
|
||||
use of the work within the scope of this license will not infringe
|
||||
the copyright of any third party.
|
||||
|
||||
III. HOW TO USE THIS LICENSE
|
||||
|
||||
If you are a musician, band, or other artist and you want your creative
|
||||
works to be experienced by the widest audience possible and touch the
|
||||
hearts and minds of the greatest number of people around the world, the
|
||||
EFF Open Audio License allows your fans and supporters to market and
|
||||
distribute your work through viral marketing that creates attention and
|
||||
adds value to your identity. You can also help build a common pool of
|
||||
creative expression that can be accessed and improved upon by all of
|
||||
society.
|
||||
|
||||
To do so, convey or affix the following information to or about the copy
|
||||
or performance of the work:
|
||||
|
||||
|
||||
The designation "(O)", representing "open" which indicates that the
|
||||
Original Author(s) have released the work subject to the terms and
|
||||
conditions of this public license;
|
||||
|
||||
Name of work's Original Author(s) (both the performer and the song
|
||||
writer);
|
||||
|
||||
Name or title of work (at option of author);
|
||||
|
||||
First Original Author's specified contact means usually an email or
|
||||
Internet address (at option of author);
|
||||
|
||||
notice, year created; and license version number.
|
||||
|
||||
|
||||
Examples: (O) Future Tribe "Gaian Smile" www.VirtualRecordings.com
|
||||
2001 V.1.0
|
||||
|
||||
|
||||
or (O) Future Tribe "Imitatio Mundi" future@virtualrecordings.com
|
||||
2001 V.1.0
|
||||
|
||||
|
||||
This license is designed to provide artists with a mechanism to promote
|
||||
their creative talents and identity to millions of people through
|
||||
releasing certain recordings to the public. It is also designed to serve
|
||||
as a tool to allow musicians to experiment with new business models that
|
||||
do not depend solely on a payment of fee-per-copy. Changing times
|
||||
require artists be creative in devising new business models for assuring
|
||||
payment and adequate compensation for their important contributions to
|
||||
society.
|
||||
|
|
@ -0,0 +1,61 @@
|
|||
# Copyright 2016 Julian Ospald <hasufell@posteo.de>
|
||||
# Distributed under the terms of the GNU General Public License v2
|
||||
|
||||
DATA_V="1.08.20140901"
|
||||
|
||||
SUMMARY="Dink Smallwood is an adventure/role-playing game, similar to Zelda (2D top view)"
|
||||
HOMEPAGE="http://www.freedink.org/"
|
||||
DOWNLOADS="mirror://gnu/freedink/${PNV}.tar.gz
|
||||
mirror://gnu/freedink/${PN}-data-${DATA_V}.tar.gz"
|
||||
|
||||
LICENCES="
|
||||
GPL-3 [[ note = [ engine ] ]]
|
||||
(
|
||||
CCPL-Attribution-3.0
|
||||
CCPL-Attribution-ShareAlike-3.0
|
||||
FreeArt
|
||||
GPL-2
|
||||
GPL-3
|
||||
OAL-1.0.1
|
||||
WTFPL-2
|
||||
ZLIB
|
||||
public-domain
|
||||
) [[ note = [ data files ] ]]
|
||||
"
|
||||
SLOT="0"
|
||||
PLATFORMS="~amd64 ~x86"
|
||||
MYOPTIONS=""
|
||||
|
||||
DEPENDENCIES="
|
||||
build:
|
||||
dev-libs/check
|
||||
sys-devel/gettext
|
||||
virtual/pkg-config
|
||||
build+run:
|
||||
media-libs/SDL:0[X]
|
||||
media-libs/SDL_gfx:0
|
||||
media-libs/SDL_image:1
|
||||
media-libs/SDL_mixer:0[midi][ogg]
|
||||
media-libs/SDL_ttf:0
|
||||
media-libs/fontconfig
|
||||
"
|
||||
|
||||
DEFAULT_SRC_CONFIGURE_PARAMS=(
|
||||
--disable-embedded-resources
|
||||
--localedir="/usr/share/locale"
|
||||
--enable-nls
|
||||
)
|
||||
|
||||
DEFAULT_SRC_INSTALL_EXTRA_DOCS=(
|
||||
TROUBLESHOOTING
|
||||
)
|
||||
|
||||
src_install() {
|
||||
default
|
||||
|
||||
emake -C "${WORKBASE}/${PN}-data-${DATA_V}" \
|
||||
DESTDIR="${IMAGE}" \
|
||||
DATADIR="/usr/share" \
|
||||
install
|
||||
}
|
||||
|
||||
Loading…
Reference in New Issue