forked from hasufell/hasufell-repository
222 lines
9.8 KiB
Plaintext
222 lines
9.8 KiB
Plaintext
|
Free Art License
|
||
|
|
||
|
|
||
|
[ Copyleft Attitude ]
|
||
|
|
||
|
version 1.2
|
||
|
|
||
|
Preamble :
|
||
|
|
||
|
With this Free Art License, you are authorised to copy, distribute and freely
|
||
|
transform the work of art while respecting the rights of the originator.
|
||
|
|
||
|
Far from ignoring the author's rights, this license recognises them and
|
||
|
protects them. It reformulates their principle while making it possible for the
|
||
|
public to make creative use of the works of art. Whereas current literary and
|
||
|
artistic property rights result in restriction of the public's access to works
|
||
|
of art, the goal of the Free Art License is to encourage such access.
|
||
|
|
||
|
The intention is to make work accessible and to authorise the use of its
|
||
|
resources by the greatest number of people: to use it in order to increase its
|
||
|
use, to create new conditions for creation in order to multiply the
|
||
|
possibilities of creation, while respecting the originators in according them
|
||
|
recognition and defending their moral rights.
|
||
|
|
||
|
In fact, with the arrival of the digital age, the invention of the Internet and
|
||
|
free software, a new approach to creation and production has made its
|
||
|
appearance. It also encourages a continuation of the process of experimentation
|
||
|
undertaken by many contemporary artists.
|
||
|
|
||
|
Knowledge and creativity are resources which, to be true to themselves, must
|
||
|
remain free, i.e. remain a fundamental search which is not directly related to
|
||
|
a concrete application. Creating means discovering the unknown, means inventing
|
||
|
a reality without any heed to realism. Thus, the object(ive) of art is not
|
||
|
equivalent to the finished and defined art object. This is the basic aim of
|
||
|
this Free Art License: to promote and protect artistic practice freed from the
|
||
|
rules of the market economy.
|
||
|
|
||
|
——– DEFINITIONS
|
||
|
|
||
|
- The work of art : A communal work which includes the initial artwork as well
|
||
|
as all subsequent contributions (subsequent originals and copies). It is
|
||
|
created at the initiative of the original artist who, by this license, defines
|
||
|
the conditions according to which the contributions are made.
|
||
|
|
||
|
- The original work of art : This is the artwork created by the initiator of
|
||
|
the communal work, of which copies will be modified by whosoever wishes.
|
||
|
|
||
|
- Subsequent works : These are the additions put forward by the artists who
|
||
|
contribute to the formation of the work by taking advantage of the right to
|
||
|
reproduction, distribution and modification that this license confers on them.
|
||
|
|
||
|
- The Original (the work's source or resource) : A dated example of the work,
|
||
|
of its definition, of its partition or of its program which the originator
|
||
|
provides as the reference for all future updatings, interpretations, copies or
|
||
|
reproductions.
|
||
|
|
||
|
- Copy : Any reproduction of an original as defined by this license.
|
||
|
|
||
|
- The author or the artist of the original work of art: This is the person who
|
||
|
created the work which is at the heart of the ramifications of this modified
|
||
|
work of art. By this license, the author determines the conditions under which
|
||
|
these modifications are made.
|
||
|
|
||
|
- Contributor: Any person who contributes to the creation of the work of art.
|
||
|
He is the author or the artist of an original art object resulting from the
|
||
|
modification of a copy of the initial artwork or the modification of a copy of
|
||
|
a subsequent work of art.
|
||
|
|
||
|
——–
|
||
|
|
||
|
1. AIMS
|
||
|
|
||
|
The aim of this license is to define the conditions according to which you can
|
||
|
use this work freely.
|
||
|
|
||
|
2. EXTENT OF THE USAGE
|
||
|
|
||
|
This work of art is subject to copyright, and the author, by this license,
|
||
|
specifies the extent to which you can copy, distribute and modify it.
|
||
|
|
||
|
2.1 FREEDOM TO COPY (OR OF REPRODUCTION)
|
||
|
|
||
|
You have the right to copy this work of art for your personal use, for your
|
||
|
friends or for any other person, by employing whatever technique you choose.
|
||
|
|
||
|
2.2 FREEDOM TO DISTRIBUTE, TO INTERPRET (OR OF REPRESENTATION)
|
||
|
|
||
|
You can freely distribute the copies of these works, modified or not, whatever
|
||
|
their medium, wherever you wish, for a fee or for free, if you observe all the
|
||
|
following conditions:
|
||
|
- attach this license, in its entirety, to the copies or indicate precisely
|
||
|
where the license can be found,
|
||
|
- specify to the recipient the name of the author of the originals,
|
||
|
- specify to the recipient where he will be able to access the originals
|
||
|
(original and subsequent). The author of the original may, if he wishes, give
|
||
|
you the right to broadcast/distribute the original under the same conditions as
|
||
|
the copies.
|
||
|
|
||
|
2.3 FREEDOM TO MODIFY
|
||
|
|
||
|
You have the right to modify the copies of the originals (original and
|
||
|
subsequent), partially or otherwise, respecting the conditions set out in
|
||
|
article 2.2 , in the event of distribution (or representation) of the modified
|
||
|
copy. The author of the original may, if he wishes, give you the right to
|
||
|
modify the original under the same conditions as the copies.
|
||
|
|
||
|
3. INCORPORATION OF ARTWORK
|
||
|
|
||
|
All the elements of this work of art must remain free, which is why you are not
|
||
|
allowed to integrate the originals (originals and subsequents) into another
|
||
|
work which would not be subject to this license.
|
||
|
|
||
|
4. YOUR AUTHOR'S RIGHTS
|
||
|
|
||
|
The object of this license is not to deny your author's rights on your
|
||
|
contribution. By choosing to contribute to the evolution of this work of art,
|
||
|
you only agree to give to others the same rights with regard to your
|
||
|
contribution as those which were granted to you by this license.
|
||
|
|
||
|
5. DURATION OF THE LICENCE
|
||
|
|
||
|
This license takes effect as of your acceptance of its provisions. The fact of
|
||
|
copying, distributing, or of modifying the work constitutes a tacit agreement.
|
||
|
This license will remain in force for as long as the copyright which is
|
||
|
attached to the work of art. If you do not respect the terms of this license,
|
||
|
you automatically lose the rights that it confers. If the legal status to which
|
||
|
you are subject makes it impossible for you to respect the terms of this
|
||
|
license, you may not make use of the rights which it confers.
|
||
|
|
||
|
6. VARIOUS VERSIONS OF THE LICENCE
|
||
|
|
||
|
This license may undergo periodic modifications to incorporate improvements by
|
||
|
its authors (instigators of the "copyleft attitude" movement) by way of new,
|
||
|
numbered versions.
|
||
|
|
||
|
You will have the choice of accepting the provisions contained in the version
|
||
|
under which the copy was communicated to you, or alternatively, to use the
|
||
|
provisions of one of the subsequent versions.
|
||
|
|
||
|
7. SUB-LICENSING
|
||
|
|
||
|
Sub-licenses are not authorized by the present license. Any person who wishes
|
||
|
to make use of the rights that it confers will be directly bound to the author
|
||
|
of the original work.
|
||
|
|
||
|
8. THE LAW APPLICABLE TO THIS CONTRACT
|
||
|
|
||
|
This license is subject to French law.
|
||
|
|
||
|
——–
|
||
|
|
||
|
DIRECTIONS FOR USE :
|
||
|
|
||
|
- How to use the Free Art license?
|
||
|
|
||
|
To benefit from the Free Art License, it is enough to specify the following on
|
||
|
your work of art:
|
||
|
|
||
|
[- A few lines to indicate the name of the work and to give an idea of what it
|
||
|
is.] [- A few lines to describe, if necessary, the modified work of art and
|
||
|
give the name of the author/artist.] Copyright © [the date] [name of the author
|
||
|
or artist] (if appropriate, specify the names of the previous authors or
|
||
|
artists) Copyleft: this work of art is free, you can redistribute it and/or
|
||
|
modify it according to terms of the Free Art license. You will find a specimen
|
||
|
of this license on the site Copyleft Attitude http://artlibre.org as well as on
|
||
|
other sites.
|
||
|
|
||
|
- Why use the Free Art license?
|
||
|
|
||
|
1 / to give the greatest number of people access to your work.
|
||
|
|
||
|
2 / to allow it to be freely distributed.
|
||
|
|
||
|
3 / to allow it to evolve by authorising its transformation by others.
|
||
|
|
||
|
4 / to be able, yourself, to use the resources of a work when it is under Free
|
||
|
Art license: to copy, distribute or transform it freely.
|
||
|
|
||
|
5 / This is not all: because the use of the Free Art License is also a good way
|
||
|
to take liberties with the marketing system generated by the dominant economy.
|
||
|
The Free Art License offers a useful legal protocol to prevent abusive
|
||
|
appropriation. It will no longer be possible for someone to appropriate your
|
||
|
work, short-circuiting the creative process to make personal profit from it.
|
||
|
Helping yourself to a collective work in progress will be forbidden, as will
|
||
|
monopolising the resources of an evolving creation for the benefit of a few.
|
||
|
|
||
|
The Free Art License advocates an economy appropriate for art, based on
|
||
|
sharing, exchange and joyful giving. What counts in art is also and mostly what
|
||
|
is not counted.
|
||
|
|
||
|
- When to use the Free Art License ?
|
||
|
|
||
|
It is not the goal of the Free Art License to eliminate copyright or author's
|
||
|
rights. Quite the opposite, it is about reformulating the relevance of these
|
||
|
rights while taking today's environment into account. It is about the right to
|
||
|
freedom of movement, to free copying and to free transformation of works of
|
||
|
art. The right to work in freedom for art and artists.
|
||
|
|
||
|
1 / Each time you want to use or put this right into practice, use the Free Art
|
||
|
License.
|
||
|
|
||
|
2 / Each time you want to create works which can evolve and be freely copied,
|
||
|
freely distributed and freely transformed: use the Free Art License.
|
||
|
|
||
|
3 / Each time you want to have the possibility of copying, distributing or
|
||
|
transforming a work: check that it is under Free Art License. If it is not, you
|
||
|
are liable to be breaking the law.
|
||
|
|
||
|
- To which types of art can the Free Art License be applied?
|
||
|
|
||
|
This license can be applied to digital as well as to non-digital art. It was
|
||
|
born out of observation of the world of free software and the Internet, but its
|
||
|
applicability is not limited to the digital media. You can put a painting, a
|
||
|
novel, a sculpture, a drawing, a piece of music, a poem, an installation, a
|
||
|
video, a film, a recipe, a CD-rom, a Web site, or a performance under the Free
|
||
|
Art License, in short any creation which has some claim to be a work of art.
|
||
|
|
||
|
This license has a history: it was born at the meeting " Copyleft Attitude "
|
||
|
which took place at "Accès Local" and "Public" in Paris at the beginning of the
|
||
|
year 2000. For the first time, it brought computer specialists and freeware
|
||
|
activists together with contemporary artists and members of the art world.
|