From fac2a878f753a5efcb4f711da06b3ec85a66a084 Mon Sep 17 00:00:00 2001 From: Julian Ospald Date: Sat, 27 Feb 2016 18:58:16 +0100 Subject: [PATCH] games-rpg/freedink: initial import of version 108.4 --- licences/FreeArt | 221 ++++++++++++++++++ licences/OAL-1.0.1 | 206 ++++++++++++++++ .../freedink/freedink-108.4.exheres-0 | 61 +++++ 3 files changed, 488 insertions(+) create mode 100644 licences/FreeArt create mode 100644 licences/OAL-1.0.1 create mode 100644 packages/games-rpg/freedink/freedink-108.4.exheres-0 diff --git a/licences/FreeArt b/licences/FreeArt new file mode 100644 index 00000000..8a6de22f --- /dev/null +++ b/licences/FreeArt @@ -0,0 +1,221 @@ +Free Art License + + +[ Copyleft Attitude ] + +version 1.2 + +Preamble : + +With this Free Art License, you are authorised to copy, distribute and freely +transform the work of art while respecting the rights of the originator. + +Far from ignoring the author's rights, this license recognises them and +protects them. It reformulates their principle while making it possible for the +public to make creative use of the works of art. Whereas current literary and +artistic property rights result in restriction of the public's access to works +of art, the goal of the Free Art License is to encourage such access. + +The intention is to make work accessible and to authorise the use of its +resources by the greatest number of people: to use it in order to increase its +use, to create new conditions for creation in order to multiply the +possibilities of creation, while respecting the originators in according them +recognition and defending their moral rights. + +In fact, with the arrival of the digital age, the invention of the Internet and +free software, a new approach to creation and production has made its +appearance. It also encourages a continuation of the process of experimentation +undertaken by many contemporary artists. + +Knowledge and creativity are resources which, to be true to themselves, must +remain free, i.e. remain a fundamental search which is not directly related to +a concrete application. Creating means discovering the unknown, means inventing +a reality without any heed to realism. Thus, the object(ive) of art is not +equivalent to the finished and defined art object. This is the basic aim of +this Free Art License: to promote and protect artistic practice freed from the +rules of the market economy. + +——– DEFINITIONS + +- The work of art : A communal work which includes the initial artwork as well + as all subsequent contributions (subsequent originals and copies). It is +created at the initiative of the original artist who, by this license, defines +the conditions according to which the contributions are made. + +- The original work of art : This is the artwork created by the initiator of + the communal work, of which copies will be modified by whosoever wishes. + +- Subsequent works : These are the additions put forward by the artists who + contribute to the formation of the work by taking advantage of the right to +reproduction, distribution and modification that this license confers on them. + +- The Original (the work's source or resource) : A dated example of the work, + of its definition, of its partition or of its program which the originator +provides as the reference for all future updatings, interpretations, copies or +reproductions. + +- Copy : Any reproduction of an original as defined by this license. + +- The author or the artist of the original work of art: This is the person who + created the work which is at the heart of the ramifications of this modified +work of art. By this license, the author determines the conditions under which +these modifications are made. + +- Contributor: Any person who contributes to the creation of the work of art. + He is the author or the artist of an original art object resulting from the +modification of a copy of the initial artwork or the modification of a copy of +a subsequent work of art. + +——– + +1. AIMS + +The aim of this license is to define the conditions according to which you can +use this work freely. + +2. EXTENT OF THE USAGE + +This work of art is subject to copyright, and the author, by this license, +specifies the extent to which you can copy, distribute and modify it. + +2.1 FREEDOM TO COPY (OR OF REPRODUCTION) + +You have the right to copy this work of art for your personal use, for your +friends or for any other person, by employing whatever technique you choose. + +2.2 FREEDOM TO DISTRIBUTE, TO INTERPRET (OR OF REPRESENTATION) + +You can freely distribute the copies of these works, modified or not, whatever +their medium, wherever you wish, for a fee or for free, if you observe all the +following conditions: +- attach this license, in its entirety, to the copies or indicate precisely + where the license can be found, +- specify to the recipient the name of the author of the originals, +- specify to the recipient where he will be able to access the originals + (original and subsequent). The author of the original may, if he wishes, give +you the right to broadcast/distribute the original under the same conditions as +the copies. + +2.3 FREEDOM TO MODIFY + +You have the right to modify the copies of the originals (original and +subsequent), partially or otherwise, respecting the conditions set out in +article 2.2 , in the event of distribution (or representation) of the modified +copy. The author of the original may, if he wishes, give you the right to +modify the original under the same conditions as the copies. + +3. INCORPORATION OF ARTWORK + +All the elements of this work of art must remain free, which is why you are not +allowed to integrate the originals (originals and subsequents) into another +work which would not be subject to this license. + +4. YOUR AUTHOR'S RIGHTS + +The object of this license is not to deny your author's rights on your +contribution. By choosing to contribute to the evolution of this work of art, +you only agree to give to others the same rights with regard to your +contribution as those which were granted to you by this license. + +5. DURATION OF THE LICENCE + +This license takes effect as of your acceptance of its provisions. The fact of +copying, distributing, or of modifying the work constitutes a tacit agreement. +This license will remain in force for as long as the copyright which is +attached to the work of art. If you do not respect the terms of this license, +you automatically lose the rights that it confers. If the legal status to which +you are subject makes it impossible for you to respect the terms of this +license, you may not make use of the rights which it confers. + +6. VARIOUS VERSIONS OF THE LICENCE + +This license may undergo periodic modifications to incorporate improvements by +its authors (instigators of the "copyleft attitude" movement) by way of new, +numbered versions. + +You will have the choice of accepting the provisions contained in the version +under which the copy was communicated to you, or alternatively, to use the +provisions of one of the subsequent versions. + +7. SUB-LICENSING + +Sub-licenses are not authorized by the present license. Any person who wishes +to make use of the rights that it confers will be directly bound to the author +of the original work. + +8. THE LAW APPLICABLE TO THIS CONTRACT + +This license is subject to French law. + +——– + +DIRECTIONS FOR USE : + +- How to use the Free Art license? + +To benefit from the Free Art License, it is enough to specify the following on +your work of art: + +[- A few lines to indicate the name of the work and to give an idea of what it +is.] [- A few lines to describe, if necessary, the modified work of art and +give the name of the author/artist.] Copyright © [the date] [name of the author +or artist] (if appropriate, specify the names of the previous authors or +artists) Copyleft: this work of art is free, you can redistribute it and/or +modify it according to terms of the Free Art license. You will find a specimen +of this license on the site Copyleft Attitude http://artlibre.org as well as on +other sites. + +- Why use the Free Art license? + +1 / to give the greatest number of people access to your work. + +2 / to allow it to be freely distributed. + +3 / to allow it to evolve by authorising its transformation by others. + +4 / to be able, yourself, to use the resources of a work when it is under Free +Art license: to copy, distribute or transform it freely. + +5 / This is not all: because the use of the Free Art License is also a good way +to take liberties with the marketing system generated by the dominant economy. +The Free Art License offers a useful legal protocol to prevent abusive +appropriation. It will no longer be possible for someone to appropriate your +work, short-circuiting the creative process to make personal profit from it. +Helping yourself to a collective work in progress will be forbidden, as will +monopolising the resources of an evolving creation for the benefit of a few. + +The Free Art License advocates an economy appropriate for art, based on +sharing, exchange and joyful giving. What counts in art is also and mostly what +is not counted. + +- When to use the Free Art License ? + +It is not the goal of the Free Art License to eliminate copyright or author's +rights. Quite the opposite, it is about reformulating the relevance of these +rights while taking today's environment into account. It is about the right to +freedom of movement, to free copying and to free transformation of works of +art. The right to work in freedom for art and artists. + +1 / Each time you want to use or put this right into practice, use the Free Art +License. + +2 / Each time you want to create works which can evolve and be freely copied, +freely distributed and freely transformed: use the Free Art License. + +3 / Each time you want to have the possibility of copying, distributing or +transforming a work: check that it is under Free Art License. If it is not, you +are liable to be breaking the law. + +- To which types of art can the Free Art License be applied? + +This license can be applied to digital as well as to non-digital art. It was +born out of observation of the world of free software and the Internet, but its +applicability is not limited to the digital media. You can put a painting, a +novel, a sculpture, a drawing, a piece of music, a poem, an installation, a +video, a film, a recipe, a CD-rom, a Web site, or a performance under the Free +Art License, in short any creation which has some claim to be a work of art. + +This license has a history: it was born at the meeting " Copyleft Attitude " +which took place at "Accès Local" and "Public" in Paris at the beginning of the +year 2000. For the first time, it brought computer specialists and freeware +activists together with contemporary artists and members of the art world. diff --git a/licences/OAL-1.0.1 b/licences/OAL-1.0.1 new file mode 100644 index 00000000..b9a23712 --- /dev/null +++ b/licences/OAL-1.0.1 @@ -0,0 +1,206 @@ +EFF Open Audio License: + +Version 1.0.1 + +Changes from ver. 1.0[.0]: Typo corrections; no substantive changes. + 1. I. Preamble + 2. II. Terms of Use + 3. III. How to Use this License + +I. PREAMBLE + +PRINCIPLES + +Digital technology and the Internet can eMPOWER ARTISTS TO REACH A +WORldwide audience and to build upon each other's ideas and imagination +with extremely low production and distribution costs. Many software +developers, through both the open source software initiative and the +free software movement, have long taken advantage of these facts to +create a vibrant community of shared software that benefits creators and +the public. + +EFF's Open Audio License provides a legal tool that borrows from both +movements providing freedom and openness to use music and other +expressive works in new ways. It allows artists to grant the public +permission to copy, distribute, adapt, and publicly perform their works +royalty-free as long as credit is given to the creator as the Original +Author. + +As in the software communities, this license is intended to help foster +a community of creators and performers who are free to share and build +on each others' work. This also frees their audience to share works that +they enjoy with others, all for the purpose of creating a rich and +vibrant public commons. + +More specifically, this license is designed to serve as a tool of +freedom for artists who wish to reach one another and new fans with +their original works. It allows musicians to collaborate in creating a +pool of "open audio" that can be freely modified, exchanged, and +utilized in new ways. Artists can use this license to promote themselves +and take advantage of the new possibilities for empowerment and +independence that technology provides. It also allows the public to +experience new music, and connect directly with artists, as well as +enable "super distribution" where the public is encouraged to copy and +distribute a work, adding value to the artist's reputation while +experiencing a world of new music never before available. + +Why is the EFF advocating a license? + +Because, despite the fact that we are uneasy with the licensing, as +opposed to sale, of both music and software, we see this particular +license as a tool of freedom. Our goal is to use the tools of copyright +to free artists and audiences from the portion of current copyright law +that seems, to us, to be getting in the way of copyright's original +purpose -- the creation of a vibrant public commons of music that we all +can enjoy and that artists can build upon. As part of it, we hope to +demonstrate some of what we believe should be the best practices in +licenses, including respect for the rights and limitations of copyright +law including fair use, first sale rights, as well as consumer +protection laws and of course freedom of speech. The aim of this license +is to use copyright tools to achieve copyright's stated objectives of +spreading knowledge and culture while preserving incentives for the +author. + +For legal purposes, this document is the official license under which +Open Audio is made available for public use. The original version of +this document may be found at: +http://www.eff.org/IP/Open_licenses/eff_oal.html + +Specific terms and conditions for accessing, copying, distribution, +adaptation, public performance, and attribution follow. + +II. TERMS AND CONDITIONS FOR USE: + +Access, Copying, Distribution, Public Performance, Adaptation, and Attribution + +This license applies to any work offered by the Original Author(s) with +a notice indicating that it is released under the terms of the EFF Open +Audio License, "(O)". If used in conjunction with a sound recording +(whether in digital or analog form), this license encompasses the +copyright in both the sound recording (the "master" rights) and the +underlying musical composition (the "songwriter" rights). + +The Original Author retains the copyrights to works released under this +license, but grants the worldwide public permission to use the work in +the ways authorized herein. Activities other than those specifically +addressed below are outside the scope of this license. + + 1. Access, Reproduction, Distribution, Modification, and + Performance Rights. Subject to the terms and conditions of this + license, the Original Author irrevocably and perpetually grants to + the public authorization to freely access, copy, distribute, modify, + create derivative works from, and publicly perform the work released + under this license in any medium or format, provided that Original + Author attribution be included with any copies distributed or public + performances of the work, as well as any derivative works based on + the work, as further described below. + + 2. Original Author Attribution Requirement. Original Author + attribution is generally defined as a method in the regular course + of dealing that reasonably conveys to the recipient of a copy or + performance the following information: (1) The notice "(O)" that + indicates the work is released under the EFF Open Audio license; (2) + the identity of the Original Author; (3) the title of the work (at + Original Author's option); and (4) how the first listed Original + Author may be contacted (at Original Author's option). + + Where a common, widely-adopted method for attribution is available + (such as ID3 tagging for MP3 files), Original Author attribution + should be implemented using the common, widely-adopted method. In + other circumstances, Original Author attribution may be implemented + in any reasonable fashion, such as by including attribution in the + public performance, or affixing it to the physical media, or + embedding it in the digital file. See the Suggested Guidelines for + general attribution requirements for giving proper credit to the + work's Original Author in differing circumstances. + + 3. Agree Not to Limit Others' Use. Any new work that in whole or in + part contains or is derived from a work (or part thereof) made + available under this license, must itself be licensed as a whole + under the terms of this license. + + Notwithstanding the foregoing, mere aggregation on a volume of a + storage or distribution medium of an independently created work with + one that is made available under this license does not bring the + other work under the scope of this license. It is not the intent of + this section to contest the rights of others in works created + entirely by them; rather, the intent is to exercise the right to + control the distribution of derivative or collective works based + upon a work subject to this license. + + 4. Acceptance of Terms. Because you have not signed this license, + you cannot be required to accept it. But nothing besides this + license grants you authorization to copy, distribute, adapt, or + publicly perform royalty-free the copyrighted works released under + it. These activities are prohibited by law without a license or + other contractual right granted by the copyright owner. By + exercising one of the rights granted herein you indicate your + acceptance of this license and agree to be bound by all its terms + and conditions. + + 5. License Version. This license is Version 1.0. New versions of + this license will be published from time to time at: + http://www.eff.org/IP/Open_licenses/eff_oal.html + + Anyone who releases a work under the license without specifying a + version number allows the recipient to use the work subject to the + then-current version of this license. + + 6. Civil Liberties Unrestricted. Nothing in this license is + intended to reduce, limit, or restrict any fair use, the first sale + doctrine, or the public side of the copyright bargain under + copyright law, or to in any other way limit any rights bestowed + under consumer protection or other applicable laws. + + 7. Warranty. By offering an original work for public release under + this license, the Original Author warrants that (i) s/he has the + power and authority to grant the rights conveyed herein, and (ii) + use of the work within the scope of this license will not infringe + the copyright of any third party. + +III. HOW TO USE THIS LICENSE + +If you are a musician, band, or other artist and you want your creative +works to be experienced by the widest audience possible and touch the +hearts and minds of the greatest number of people around the world, the +EFF Open Audio License allows your fans and supporters to market and +distribute your work through viral marketing that creates attention and +adds value to your identity. You can also help build a common pool of +creative expression that can be accessed and improved upon by all of +society. + +To do so, convey or affix the following information to or about the copy +or performance of the work: + + +The designation "(O)", representing "open" which indicates that the +Original Author(s) have released the work subject to the terms and +conditions of this public license; + + Name of work's Original Author(s) (both the performer and the song + writer); + + Name or title of work (at option of author); + + First Original Author's specified contact means usually an email or + Internet address (at option of author); + + notice, year created; and license version number. + + + Examples: (O) Future Tribe "Gaian Smile" www.VirtualRecordings.com + 2001 V.1.0 + + + or (O) Future Tribe "Imitatio Mundi" future@virtualrecordings.com + 2001 V.1.0 + + +This license is designed to provide artists with a mechanism to promote +their creative talents and identity to millions of people through +releasing certain recordings to the public. It is also designed to serve +as a tool to allow musicians to experiment with new business models that +do not depend solely on a payment of fee-per-copy. Changing times +require artists be creative in devising new business models for assuring +payment and adequate compensation for their important contributions to +society. diff --git a/packages/games-rpg/freedink/freedink-108.4.exheres-0 b/packages/games-rpg/freedink/freedink-108.4.exheres-0 new file mode 100644 index 00000000..73004fce --- /dev/null +++ b/packages/games-rpg/freedink/freedink-108.4.exheres-0 @@ -0,0 +1,61 @@ +# Copyright 2016 Julian Ospald +# Distributed under the terms of the GNU General Public License v2 + +DATA_V="1.08.20140901" + +SUMMARY="Dink Smallwood is an adventure/role-playing game, similar to Zelda (2D top view)" +HOMEPAGE="http://www.freedink.org/" +DOWNLOADS="mirror://gnu/freedink/${PNV}.tar.gz + mirror://gnu/freedink/${PN}-data-${DATA_V}.tar.gz" + +LICENCES=" + GPL-3 [[ note = [ engine ] ]] + ( + CCPL-Attribution-3.0 + CCPL-Attribution-ShareAlike-3.0 + FreeArt + GPL-2 + GPL-3 + OAL-1.0.1 + WTFPL-2 + ZLIB + public-domain + ) [[ note = [ data files ] ]] +" +SLOT="0" +PLATFORMS="~amd64 ~x86" +MYOPTIONS="" + +DEPENDENCIES=" + build: + dev-libs/check + sys-devel/gettext + virtual/pkg-config + build+run: + media-libs/SDL:0[X] + media-libs/SDL_gfx:0 + media-libs/SDL_image:1 + media-libs/SDL_mixer:0[midi][ogg] + media-libs/SDL_ttf:0 + media-libs/fontconfig +" + +DEFAULT_SRC_CONFIGURE_PARAMS=( + --disable-embedded-resources + --localedir="/usr/share/locale" + --enable-nls +) + +DEFAULT_SRC_INSTALL_EXTRA_DOCS=( + TROUBLESHOOTING +) + +src_install() { + default + + emake -C "${WORKBASE}/${PN}-data-${DATA_V}" \ + DESTDIR="${IMAGE}" \ + DATADIR="/usr/share" \ + install +} +